Friday, April 30, 2010

My Favorite Albums Of 2009

It’s that time of year again folks. It’s coming in way late, but due to last year’s lack of income, many of the albums I wanted to get under my listening belt didn’t make their way into my collection until early this year.

2009 was an amazing year for music. Many of the artists I listen to put out very inspiring albums this year, so narrowing my list down was a little more difficult than last year.

You may notice there are a few more popular acts not on my list. Rise Against’s “Appeal To Reason” is a decent album, but so far the least impressive in their catalogue. Hey, even Bad Religion put out an average album over their thirty-year history. Green Day’s “21st Century Breakdown” is a piece of shit. Easily the worst album they have put out; it’s almost as if the band members hoped their fans would forgive a sub-par album after their innovative “American Idiot.” I’ve been told the songs on the album make more sense when you go see the play based on “American Idiot,” but standing alone, it sounds like a group of junior high students wrote this album. It killed me not to put Kill Hannah’s “Wake Up The Sleepers”, Poison The Well’s “The Tropic Rot”, and CKY’s “Carver City” (which are all great albums) on the list, but after going over them several times, I feel like there was one little thing missing. To reiterate, there is nothing sub-par with these albums, I just didn’t feel like they stood out like the rest.

Much like last year, a couple of albums I listened to immediately caught my ear and rocked my mind, while a few others took a couple of spins to recognize their genius. This year I’m going to do things a little different. I’m going to give you a little review of each album on my list, supplying a little insight as to why they made my list, culminating with the runner up and album of the year. So without and further adieu, here are my choices for my favorite albums of 2009.

Whole Wheat Bread – “Hearts Of Hoodlums”

Utilizing the raw energy and cultural background these three African-American musicians bring to the table, WWB have released one of the best punk albums I’ve listened to in a very long time. Combining the spirit of Bad Brains with a slice of southern rap, WWB have changed the landscape of classic punk music. Instead of combining these two differing styles, WWB simply compose both style songs independently of each other, seamlessly bouncing back and forth between the two styles. Also, “Bombs Away” is easily the strongest opening track on any of the albums I will talk about this year.

P.O.S. – “Never Better”

P.O.S. does it again, pushing the boundary of what true hip-hop is. Flaunting his punk roots, within the first three minutes of “Never Better", P.O.S. takes stabs at the government, laughs at the recession, uses Macho Man as a verb, references The Dude, and shout-outs to his crew and his label. Like always, P.O.S. not only breaks the mold, but also shows the worlds of punk and hip-hop were never made in one.

Silverstein – “A Shipwreck In The Sand”

The last, great screamo band. I give Shane Told props for taking a massive creative step, penning the bands first concept album. Two paralleling stories weave through the album, one of a crew set sail on a course for the new world before getting lost at sea, and one about a family losing it’s dream of living in America when their house burns down. Silverstein does an amazing job writing aggressive and poetic music, bringing out the true emotion of the characters in the story.

Thrice – “Beggars”

I saw Thursday play last fall at the Glasshouse in Pomona. Geoff Rickly mentioned their band has been together for eleven years, equally as long as Thrice, and they promised to keep trekking as long as Thrice did the same. After the interesting concept album(s) “The Alchemy Index”, Thrice is back, pushing their sound to even greater lengths. You notice a definite grown up feel in “Beggars”, but Thrice draws upon a lot of the old emotion you felt on “Illusion of Safety” and “Artist In The Ambulance”. “Beggars” effectively showcases each musician’s talent greatly. If Thrice continues on this way (and brings Thursday along with them), they will definitely go down in history as one of the two greatest bands in the history of post-hardcore.

Alexisonfire – “Old Crows/Young Cardinals”

With three years off since their last effort, Alexisonfire is back as the powerful post-hardcore machine that they are. The one-two-three punch of vocals from George Petit and guitarists Dallas Green and Wade MacNeil has long-elevated Alexisonfire over many of their contemporaries, and “Old Crows” continues this long tradition. The most noticeable difference on this album is George Petit’s voice, which has been switched out from screams to a more grating vocal style. While at first, it’s a big jarring, but after a few spins, you find this new direction very comforting, and honestly, there is no loss of aggression or energy.

Converge – “Axe To Fall”

Hardcore at it’s finest. The melting of hardcore punk and metal, which Converge is known for, has matured greatly both lyrically and musically. Through everything that Converge brings to the table, there is a hint of order and meaning lingering in the background to each and every track, making for a remarkable album.

Every Time I Die – “New Junk Aesthetic”

ETID have done it again. I didn’t think a better, full-on fist pumping metal album could be written after “The Big Dirty”, but the boys from Buffalo pulled another one out of their ass. With each subsequent album, ETID has gotten better and better, and you think they can’t outdo themselves, and each time, they surpass themselves. Something about the energy ETID bring to both stage and album always drives me to thrash and run into a pit like a madmen.

Patton Oswalt – “My Weakness Is Strong”

It’s all there. Everything that made Patton Oswalt one of the best stand-up comedians of the last five years is all well accounted for on his latest album. There are moments of volatile enthusiasm and bewilderment that positively contradict his sense of bitter, aggravated disappointment with himself and the rest of the world around him.

Between The Buried And Me – “The Great Misdirect”

The way Between The Buried And Me composed their latest album is almost symphonic. The composition is divided into movements rather than songs. They followed up their masterpiece “Colors” brilliantly, again showcasing the talent encased within BTBAM. Perfectly balancing beauty with brutality, BTBAM give us another faultless album. It is musically the best album of the year.


RUNNER UP:

Strike Anywhere – “Iron Front”

“Iron Front” brings me back to why I fell in love with punk in the first place. Bursts of pure energy fueled with the type of political lyrics making one want to get up and make a difference; change the world for a better place for future generations. Strike Anywhere have found their niche as a punk powerhouse, and with each album, continue to point out the foibles of our government and society. Lead by Thomas Barnett’s commanding voice, “Iron Front” begins with some harsh Amerikan propaganda, “The blood for your freedom / The horror that you taught to them / To kill all your sheep / In the fold your power fades without control” (Invisible Colony). Strike Anywhere have produced an album, which not only resonates with history, but also gives a new future generation looking for their anthem, a home.

ALBUM OF THE YEAR:

Thursday – “Common Existence”

I had to do it. Honestly, if this album didn’t drop, Strike Anywhere would have easily won this award. With “Common Existence”, Thursday continues to pushes a genre of music forward. Instead of trying to mature with this new album, Thursday went back over their career, and the careers of their peers, and wrote an album which brings it’s listeners back to the classic era of punk and hardcore (and post-hardcore), while still evolving as artists. Thursday has composed their best album since their masterpiece, “Full Collapse”. Geoff Rickly has again written some of the most poetic lyrics of his career. To find the “maturity” in this latest release, the New Jersey quintet branches out to include a powerful political psalm, “Friends In The Armed Forces”, and even invoke the spirit of the legendary eNVy with “Circuits Of Fever.” Even aesthetically, the album artwork is a callback to the model punk cover: simple, black and white, of two nuns walking through construction scaffolding. Thursday has produced the most diverse album of their career, which is at the same time, of the purest albums of their career. “Common Existence” is one of the best arguments I have for Thursday not only being my favorite band, but also one of the greatest bands of all time.

They want to know which side you’re on… But it doesn't matter because we're all being used… To train, to fight… To disregard all human rights…

Friday, April 23, 2010

John Stewart Beats Me Again

Obviously I am not as timely and on the ball as South Park or The Daily Show. I wanted to write a rant targeting the group Revolution Muslim and their threat against Trey Parker and Matt Stone, but tonight's Daily Show beat me to the punch. Stewart covered every point I wanted to make, and did it in a way more entertaining than I ever could. Enjoy!

The Daily Show With Jon StewartMon - Thurs 11p / 10c
South Park Death Threats
www.thedailyshow.com
Daily Show Full EpisodesPolitical HumorTea Party

Monday, April 12, 2010

Booty And The Priest

This aired on the Daily Show last Wednesday.

The Daily Show With Jon StewartMon - Thurs 11p / 10c
Pope Opera
www.thedailyshow.com
Daily Show Full EpisodesPolitical HumorTea Party


Now, in case you didn’t do all the extra work, here’s the story. The current leader of the Catholic Church, Pope Benedict, prior to his pope-ship, as Cardinal Ratzinger, he was the Vatican official in charge of child molestation cases in the church during the 1990’s. During this time, he refused to dismiss (read: fire) Father Lawrence Murphy, a priest at the St. John's School For The Deaf in St. Francis, Wisconsin. Murphy is known to have molested around two hundred boys between 1950 and 1974. He would call them to his bedroom, or visit them in their dorm beds late at night, jerk them off, and leave. Sometimes, if he felt frisky, he would abuse several boys in one night. Murphy was also known to hear their confession in a second floor walk-in closet in the boy's dorm and molest them there as well.

You’d think once the church found out about such a vast abuse of authority, punishment would be swift. Charges were brought up, but were dropped soon thereafter. Ratzinger looked the other way because of a very touching letter Murphy wrote to Ratzinger saying a trial wasn’t needed because (get this) he already repented for his sins. The Vatican deliberately chose not to act and allowed Murphy to go unpunished before his death in 1998.

Everyone knows I’m not a fan of organized religion, but if believing in a higher power helps you with your life, go for it. But seriously, how does a group like this continue to exist? And more importantly, how is a group like this allowed to exist? Where is the United Nations on this one? And it’s not like this is the first time. Continually priests are being caught for molestation and are moved to different parishes and hidden in new cities. Its mind-blowing crimes of this nature go unpunished. Can’t their tax exemption be retracted? Any secular individual who touches a little kid at the very least gets arrested. If I touch a little boy, my ass goes to jail to be used like a sock puppet.

The Buddha teaches us religion is merely a path to find the truth. Once the truth is obtained, religion is no longer needed. What truth is the Catholic “Church” looking for? I can’t even think of a comical comparison to use here which isn’t completely revolting to my female readers (assuming there is one or two).

Now, priests are coming up to defend Ratzinger and are upset by the media coverage of the case. What the church is most upset about is people finding out about the abuse, not the actual abuse itself. It’s like a wife being more upset with her husband getting caught cheating than the act of adultery. What the fuck?

I was brought up catholic and one of the things I was taught was when I make a mistake, or sin, I need to take responsibility for my actions and whatever punishment I have coming to me. When Ratzinger, now as pope, was confronted with this, you would think he would practice what he preaches. Instead, he merely brushes it aside. How can anyone follow what this man teaches if he doesn’t do it himself? Isn’t that why all your conservatives were upset with Clinton when he was president? Yes, he lied about it, but you couldn’t serve under a president with such a lack of moral fiber?

I am just appalled by this entire situation. Its things like this which make me wonder why anyone would ever wants to be associated with an organization like this. And more and more people are joining every day; either born into families and raised in this potentially hostile environment, or by finding god late in life and signing up. I can continue on with my anger and disgust, but Jon Stewart pretty much conveys the insanity of this event much better than I ever could.

There’s no justice… Just a cause and a cure… And a bounty of suffering… It seems we all endure…